STENA (3): Onkraj (2025)

Kip / beton, asfalt, poliester, motorji, mavčne plošče, kamera

Interaktivno v sodobnoumetniških razstavah pogosto po nekaj dneh razstave zaradi neprimerne uporabe postane neinteraktivno. Onkraj je kiparsko delo, ki kljub iznakaženemu, občutljivemu izgledu sugestira interakcijo - gledalci so spodbujeni k uporabi nepremične kamere. Takšna interakcija ne le sprevrže pozicijo kipa in gledalca, temveč tudi preizkuša trenutek interaktivnosti - ali stvar, ki deluje krhko izzove previdnejše vedenje? Tako, kot arheološke najdbe, najdene med gradnjo proces ohromijo in zahtevajo senzibilno previdnost. Glasne stroje nadomestijo delikatna orodja, prizorišče prevzamejo arheološki specialisti in kdaj se bo obnova lahko nadaljevala se več ne ve.

Delo je bilo razstavljeno na razstavi v Celju poleti 2025 in je za kip predstavljala eksperiment. V delo so posegli mnogi in to je ostalo celo, nepoškodovano, oziroma nepotrebno obnove.

WALL (3): Beyond (2025)

Sculpture / concrete, asphalt, polyester, motors, plaster boards, kamera / 3400x1800x430mm

Interactivity in contemporary art exhibitions often becomes non-interactive after a few days due to inappropriate use. Beyond is a sculptural work that, despite its fragile, delicate appearance, encourages interaction—viewers can use a fixed camera. Such interaction not only shifts the perspective of the sculpture and the viewer, but also tests the moment of interactivity — does something that appears fragile elicit more cautious behavior? Just as archaeological finds discovered during construction paralyze the process and demand sensitive caution. Noisy machines are replaced by delicate tools, the site is taken over by archaeological specialists, and it is no longer clear when construction can continue.

The work was exhibited in Celje in the summer of 2025 and represented an experiment for the sculpture. Many people intervened in the work, and it remained intact, undamaged, or in need of restoration.